The MAGIC-BOX...! What else?
How else could I describe the secret little "something"
that works like thousand resonance-strings (with the difference
that one does not have to tune all of them before performing!),
and is turning so easily and clearly much more of my musical thoughts
into reality, without changing any of the "true colours"
of my cello's sound?
When using the RECITALBOX, my solo pieces get all of that extra-kick
that makes it exciting to experiment new sound effects, the series
of chords get some sort of orchestral dimensions, the involved,
dramatic passages start to "glow" and the whole range
of sonorities, typical for the contemporary works get beyond all
On the other hand, performing baroque repertoire becomes, with
the help of the RECITALBOX, a joy in itself, because even playing
an open-air concert, the produced sonorities will remind the acoustic
of the most beautiful gothic cathedral...
Unlike other magic toys of our time, the RECITALBOX does not even
There is only one problem with the RECITALBOX: One has to take
the real challange and have the guts to use it!
I deffinitely do that, and it "celloes - up" my music!